EchoesəvYourFace
This participatory art installation, combined with an AI facial recognition model, identifies emotions by capturing the audience's facial expressions in real time via a camera. The detected data dynamically transforms the colour, movement, and intensity of the interactive LED lights installed to illuminate the abstract paintings, in a rich variety of ways. (...)

EchoesəvYourFace
This participatory art installation, combined with an AI facial recognition model, identifies emotions by capturing the audience's facial expressions in real time via a camera. The detected data dynamically transforms the colour, movement, and intensity of the interactive LED lights installed to illuminate the abstract paintings, in a rich variety of ways. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied with its own soundtrack, played in Korean traditional string instrument called Gayageum, composed and performed by the artist. This series traces the confusing, unsettling experience while becoming someone different over time. (...)


Innerscape
A series of imagined emotional landscapes, each accompanied with its own soundtrack, played in Korean traditional string instrument called Gayageum, composed and performed by the artist. This series traces the confusing, unsettling experience while becoming someone different over time. (...)

AfterThoughts
Questions like 'What is life and how should I live it?', 'Who am I at my core, with all my thoughts and concerns?' and 'How should I look at the world where I am standing?' have become more prominent in my mind. I want to find meaning because more often I feel uncertain about how to approach my life. (...)
After Liberty
Last December, I picked up John Stuart Mill's 『On Liberty』, and it made more vivid the vague questions in my head. Even though it was published back in 1859, everything he wrote about individuality, freedom, the need for diverse environments, individual development, and the dangers of the tyranny of the majority caused a shift inside me. (...)

"The whole strength and value, then, of human judgment, depending on the one property, that it can be set right when it is wrong, reliance can be placed on it only when the means of setting it right are kept constantly at hand. In the case of any person whose judgment is really deserving of confidence, how has it become so? Because he has kept his mind open to criticism of his opinions and conduct. Because it has been his practice to listen to all that could be said against him; to profit by as much of it as was just, and expound to himself, and upon occasion to others, the fallacy of what was fallacious. (...)"
—『On Liberty』(1859) by John Stuart Mill

The Misty Heaven
is the first series to capture the artist's working method, which involves an interplay between spontaneity and control. One sketch showing objects floating within a misty, dreamlike space recalled the ascending saints found in the works of Old Masters, which became a motif for her works. (...)

Dance (Hani-mation)
A portrait of the artist made through movement, holding her emotion as it came, before shaping. What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. (...)
EchoesəvYourFace
This participatory art installation, combined with an AI facial recognition model, identifies emotions by capturing the audience's facial expressions in real time via a camera. The detected data dynamically transforms the colour, movement, and intensity of the interactive LED lights installed to illuminate the abstract paintings, in a rich variety of ways. (...)

EchoesəvYourFace
This participatory art installation, combined with an AI facial recognition model, identifies emotions by capturing the audience's facial expressions in real time via a camera. The detected data dynamically transforms the colour, movement, and intensity of the interactive LED lights installed to illuminate the abstract paintings, in a rich variety of ways. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied with its own soundtrack, played in Korean traditional string instrument called Gayageum, composed and performed by the artist. This series traces the confusing, unsettling experience while becoming someone different over time. (...)


Innerscape
A series of imagined emotional landscapes, each accompanied with its own soundtrack, played in Korean traditional string instrument called Gayageum, composed and performed by the artist. This series traces the confusing, unsettling experience while becoming someone different over time. (...)

The Misty Heaven
is the first series to capture the artist's working method, which involves an interplay between spontaneity and control. One sketch showing objects floating within a misty, dreamlike space recalled the ascending saints found in the works of Old Masters, which became a motif for her works. (...)

Dance (Hani-mation)
A portrait of the artist made through movement, holding her emotion as it came, before shaping. What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. (...)
AfterThoughts
Questions like 'What is life and how should I live it?', 'Who am I at my core, with all my thoughts and concerns?' and 'How should I look at the world where I am standing?' have become more prominent in my mind. I want to find meaning because more often I feel uncertain about how to approach my life. (...)
After Liberty
Last December, I picked up John Stuart Mill's 『On Liberty』, and it made more vivid the vague questions in my head. Even though it was published back in 1859, everything he wrote about individuality, freedom, the need for diverse environments, individual development, and the dangers of the tyranny of the majority caused a shift inside me. (...)

"The whole strength and value, then, of human judgment, depending on the one property, that it can be set right when it is wrong, reliance can be placed on it only when the means of setting it right are kept constantly at hand. In the case of any person whose judgment is really deserving of confidence, how has it become so? Because he has kept his mind open to criticism of his opinions and conduct. Because it has been his practice to listen to all that could be said against him; to profit by as much of it as was just, and expound to himself, and upon occasion to others, the fallacy of what was fallacious. (...)"
—『On Liberty』(1859) by John Stuart Mill