EchoesəvYourFace
This participatory art installation comprises three abstract paintings and 143 interactive LED lights, which respond in real time to the emotions in audiences' facial expressions, detected by a camera using an AI face-recognition model. The detected data transforms the colour, movement, and intensity of the interactive LED lights illuminating the abstract paintings. (...)

EchoesəvYourFace
This participatory art installation comprises three abstract paintings and 143 interactive LED lights, which respond in real time to the emotions in audiences' facial expressions, detected by a camera using an AI face-recognition model. The detected data transforms the colour, movement, and intensity of the interactive LED lights illuminating the abstract paintings. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack, played on the gayageum, a traditional Korean 12-string instrument, composed and performed by the artist. This series traces the confusing, unsettling experience she went through while becoming someone different over time. (...)


Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack, played on the gayageum, a traditional Korean 12-string instrument, composed and performed by the artist. This series traces the confusing, unsettling experience she went through while becoming someone different over time. (...)

AfterThoughts
This is an ongoing project in which each chapter takes one philosophical text as its starting point and turns it into paintings, with sound, technology and movement. 'AfterThoughts' is about pinning down what matters and giving it visual form. (...)
After Liberty
Last December, she read John Stuart Mill's 『On Liberty』, and it brought the vague questions in her head into sharper focus. Although it was published back in 1859, many parts of what he wrote about individuality, freedom, the need for diverse environments, individual development and the dangers of the tyranny of the majority caused a shift inside her. (...)

"The whole strength and value, then, of human judgment, depending on the one property, that it can be set right when it is wrong, reliance can be placed on it only when the means of setting it right are kept constantly at hand. In the case of any person whose judgment is really deserving of confidence, how has it become so? Because he has kept his mind open to criticism of his opinions and conduct. Because it has been his practice to listen to all that could be said against him; to profit by as much of it as was just, and expound to himself, and upon occasion to others, the fallacy of what was fallacious. (...)"
—『On Liberty』(1859) by John Stuart Mill

The Misty Heaven
This is the first series to capture the artist's working method, which involves an interplay between spontaneity and control. One sketch showing objects floating within a misty, dreamlike space recalled the ascending saints found in the works of Old Masters, which became a motif for her works. (...)

Dance (Hani-mation)
A portrait of the artist made through movement, holding her emotion as it came, before shaping. What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. (...)
EchoesəvYourFace
This participatory art installation comprises three abstract paintings and 143 interactive LED lights, which respond in real time to the emotions in audiences' facial expressions, detected by a camera using an AI face-recognition model. The detected data transforms the colour, movement, and intensity of the interactive LED lights illuminating the abstract paintings. (...)

EchoesəvYourFace
This participatory art installation comprises three abstract paintings and 143 interactive LED lights, which respond in real time to the emotions in audiences' facial expressions, detected by a camera using an AI face-recognition model. The detected data transforms the colour, movement, and intensity of the interactive LED lights illuminating the abstract paintings. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack, played on the gayageum, a traditional Korean 12-string instrument, composed and performed by the artist. This series traces the confusing, unsettling experience she went through while becoming someone different over time. (...)


Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack, played on the gayageum, a traditional Korean 12-string instrument, composed and performed by the artist. This series traces the confusing, unsettling experience she went through while becoming someone different over time. (...)

The Misty Heaven
This is the first series to capture the artist's working method, which involves an interplay between spontaneity and control. One sketch showing objects floating within a misty, dreamlike space recalled the ascending saints found in the works of Old Masters, which became a motif for her works. (...)

Dance (Hani-mation)
A portrait of the artist made through movement, holding her emotion as it came, before shaping. What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. (...)
AfterThoughts
This is an ongoing project in which each chapter takes one philosophical text as its starting point and turns it into paintings, with sound, technology and movement. 'AfterThoughts' is about pinning down what matters and giving it visual form. (...)
After Liberty
Last December, she read John Stuart Mill's 『On Liberty』, and it brought the vague questions in her head into sharper focus. Although it was published back in 1859, many parts of what he wrote about individuality, freedom, the need for diverse environments, individual development and the dangers of the tyranny of the majority caused a shift inside her. (...)

"The whole strength and value, then, of human judgment, depending on the one property, that it can be set right when it is wrong, reliance can be placed on it only when the means of setting it right are kept constantly at hand. In the case of any person whose judgment is really deserving of confidence, how has it become so? Because he has kept his mind open to criticism of his opinions and conduct. Because it has been his practice to listen to all that could be said against him; to profit by as much of it as was just, and expound to himself, and upon occasion to others, the fallacy of what was fallacious. (...)"
—『On Liberty』(1859) by John Stuart Mill