Selected works주요 작품Opere selezionate
EchoesəvYourFace
It is like a rush of feelings rising from within, like thousands of petals drifting without destination, tangled, spiraling, pulling each other close It is as if every portion of memory is coming to you, making you feel chaotic, longing for them, then letting them drift away, forlornly. (...)
EchoesəvYourFace
It is like a rush of feelings rising from within, like thousands of petals drifting without destination, tangled, spiraling, pulling each other close It is as if every portion of memory is coming to you, making you feel chaotic, longing for them, then letting them drift away, forlornly. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack played on the Gayageum, circling around the question of what is Each painting reflects the feeling of standing between two worlds, absorbing the overwhelming influence of a new environment while feeling a growing distance from the home country. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack played on the Gayageum, circling around the question of what is Each painting reflects the feeling of standing between two worlds, absorbing the overwhelming influence of a new environment while feeling a growing distance from the home country. (...)
Ongoing Project진행 중 프로젝트Progetto in corso
AfterThoughts
Questions like 'What is life and how should I live it?', 'Who am I at my core, with all my thoughts and concerns?' and 'How should I look at the world where I am standing?' have become more prominent in my mind. I want to find meaning because more often I feel uncertain about how to approach my life. (...)
After Liberty
Last December, I picked up John Stuart Mill's On Liberty, and it made more vivid the vague questions in my head. Even though it was published back in 1859, everything he wrote about individuality, freedom, the need for diverse environments, human growth, and the dangers of the tyranny of the majority caused a shift inside me. (...)
"The whole strength and value, then, of human judgment, depending on the one property, that it can be set right when it is wrong, reliance can be placed on it only when the means of setting it right are kept constantly at hand. In the case of any person whose judgment is really deserving of confidence, how has it become so? Because he has kept his mind open to criticism of his opinions and conduct. Because it has been his practice to listen to all that could be said against him; to profit by as much of it as was just, and expound to himself, and upon occasion to others, the fallacy of what was fallacious. (...)"
— John Stuart Mill, On Liberty, 1859
Show more더 보기Mostra altroShow less접기Mostra meno
Dance (Hani-mation)
What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. The work is a declaration made on impulse, a rite in which she lets herself go completely by way of rhythm, memory, and feeling. (...)
Dance (Hani-mation)
What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. The work is a declaration made on impulse, a rite in which she lets herself go completely by way of rhythm, memory, and feeling. (...)
Selected works주요 작품Opere selezionate
EchoesəvYourFace
It is like a rush of feelings rising from within, like thousands of petals drifting without destination, tangled, spiraling, pulling each other close It is as if every portion of memory is coming to you, making you feel chaotic, longing for them, then letting them drift away, forlornly. (...)
EchoesəvYourFace
It is like a rush of feelings rising from within, like thousands of petals drifting without destination, tangled, spiraling, pulling each other close It is as if every portion of memory is coming to you, making you feel chaotic, longing for them, then letting them drift away, forlornly. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack played on the Gayageum, circling around the question of what is Each painting reflects the feeling of standing between two worlds, absorbing the overwhelming influence of a new environment while feeling a growing distance from the home country. (...)
Innerscape
A series of imagined emotional landscapes, each accompanied by its own soundtrack played on the Gayageum, circling around the question of what is Each painting reflects the feeling of standing between two worlds, absorbing the overwhelming influence of a new environment while feeling a growing distance from the home country. (...)
Show more더 보기Mostra altroShow less접기Mostra meno
Dance (Hani-mation)
What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. The work is a declaration made on impulse, a rite in which she lets herself go completely by way of rhythm, memory, and feeling. (...)
Dance (Hani-mation)
What started as improvised motion in her Berlin studio grew into a quiet refusal of fixed identity, of social structure, of the expectations gathered around her. The work is a declaration made on impulse, a rite in which she lets herself go completely by way of rhythm, memory, and feeling. (...)
Ongoing Project진행 중 프로젝트Progetto in corso
AfterThoughts
Questions like 'What is life and how should I live it?', 'Who am I at my core, with all my thoughts and concerns?' and 'How should I look at the world where I am standing?' have become more prominent in my mind. I want to find meaning because more often I feel uncertain about how to approach my life. (...)
After Liberty
Last December, I picked up John Stuart Mill's On Liberty, and it made more vivid the vague questions in my head. Even though it was published back in 1859, everything he wrote about individuality, freedom, the need for diverse environments, human growth, and the dangers of the tyranny of the majority caused a shift inside me. (...)
"The whole strength and value, then, of human judgment, depending on the one property, that it can be set right when it is wrong, reliance can be placed on it only when the means of setting it right are kept constantly at hand. In the case of any person whose judgment is really deserving of confidence, how has it become so? Because he has kept his mind open to criticism of his opinions and conduct. Because it has been his practice to listen to all that could be said against him; to profit by as much of it as was just, and expound to himself, and upon occasion to others, the fallacy of what was fallacious. (...)"
— John Stuart Mill, On Liberty, 1859